Author Richard Armstrong is a top gun copywriter who seems like a nice guy, so I wanted to like this book . . . but although it's interesting because of its subject matter, it fails as an emotionally engaging work of fiction.
Overall, it's structured after the Divine Comedy by Dante, although with changes I'm not sure I understand, perhaps because I'm not familiar enough with that work. I do know that Dante considered a real life girl named Beatrice as his inspiration, and she's in the book, but only toward the end. The woman he loves is named Maria but she is killed early on. Yet Beatrice is shown as the Madonna figure since she's got the little brother named DeJesus, which the author points out can mean the body of Jesus, in case you miss the obvious parallel.
And I don't get how giving gifts to these two divine beings buys salvation for Danny (Dante). I understand that a SUPERGIRL comic book and a Good and Plenty candy bar are symbolic, but come on.
And then we switch the Old Testament -- Daniel must go through the lion's den to reach Paradise. But the lions had already left!
The pagan Virgil is an interesting character, although I'm not sure I understand how he got so wealthy from his ideas if he was such a poor marketer.
The driving concept of this book is that Parrando's Paradox, a mathematical technique, can be used as the basis of a winning craps system. The author performs a lot of sleight of hand to make us believe it's possible, without really explaining how it accomplishes the feat of making negative expectation bets add up to positive expectation game.
And in the end, it's revealed that it doesn't work all the time, as we should have known all along.
But that doesn't keep many people who should know better from falling for it.
This book is fun to read. The characters are just too broadly played for comedy to provide any emotional identification -- which works against the book at the end when it wants to make its spiritual points. I just don't see how or why Danny ended up happy in Italy.